Entertainment

In an industry still grappling with the repercussions of COVID-19 and ongoing strikes, Disney’s recent success with Lilo & Stitch demonstrates an undeniable shift in audience preferences. Traditionally, blockbuster contenders have leaned heavily on star power, high-octane franchises, or cutting-edge CGI to drive sales. Yet, here we observe a charming, somewhat retro property defying those

In the aftermath of the COVID-19 pandemic, Hollywood’s traditional box office models have been turned upside down. Amid this upheaval, the early indicators for “Jurassic World Rebirth” suggest that massive, franchise-driven spectacles can still command audiences, even in a landscape where streaming and home entertainment have eroded cinema’s dominance. A $28 million opening day, sans

AMC Entertainment’s latest financial maneuver demonstrates a strategic attempt to claw its way out of the debt-laden mire left by the Covid pandemic. The company’s multi-layered agreement with creditors signifies a critical juncture. While it may appear on the surface as a sign of resilience, beneath the surface lies a complex web of risks and

In a cinematic landscape crowded with superhero franchises and sequels, the remarkable success of *F1*—Apple Original Films’ latest collaboration with Warner Bros.—is nothing short of a revelation. Opening to a robust $57 million over its debut weekend, *F1* reinvigorated a genre many had written off as a risky gamble for studios: the racing film. Historically,

The recent box office numbers for independent films reveal a sobering picture about the state of indie cinema in an era dominated by blockbuster giants. Take for example A24’s *Sorry, Baby*, Eva Victor’s directorial debut that, despite glowing critical acclaim and a 96% Rotten Tomatoes rating, managed to pull in a modest $86,500 across four

Apple Original Films’ *F1* has not only met but exceeded expectations worldwide, quickly establishing itself as a dominant force in the global movie market. While many predicted a modest performance for a niche sports biopic, the film’s robust numbers reveal a surprising appetite for Formula 1 content. Offshores markets combined with the domestic U.S. release

Apple Original Films’ *F1*, released through Warner Bros., has taken the box office by storm with an opening that many industry watchers did not see coming. Clocking in at an eye-popping $55 million-plus from over 3,600 theaters, this film has shattered expectations for Apple’s theatrical ventures. Compared to prior disappointments like *Fly Me to the

In the film industry, where competition is high and the specter of gigantic streaming platforms looms, the recent agreement between CJ 4DPLEX and Cinépolis marks a pivotal moment for cinema. The duo intends to open or upgrade 50 cinemas across Cinépolis’s international network, which spans 18 countries. While technical jargon like ‘ScreenX’ and ‘4DX’ may

On October 8, 2025, at The Beverly Hilton, Kate Hudson will accept the esteemed Pioneer of the Year Award from the Will Rogers Motion Picture Pioneers Foundation. This accolade marks her as one of the most significant figures in today’s motion picture landscape—not just for her performances but for her unwavering commitment to social causes.

The recent surge of comedic films available on streaming platforms has brought forth an unexpected winner: “You’re Cordially Invited,” featuring the comedic talents of Reese Witherspoon and Will Ferrell. Achieving over 50 million viewers globally on Prime Video, this film has undoubtedly become one of Amazon MGM Studios’ most celebrated comedies, breaking into the prestigious