Entertainment

The entertainment industry is abuzz as Disney’s re-release of “Star Wars: Revenge of the Sith” squares off against a mix of new cinematic entries this weekend. With a surprising $3.4 million in previews, the film stands poised to disrupt existing box office standings. Previews often serve as a harbinger of a film’s potential performance, and

In a world significantly influenced by streaming services and digital content, the film industry continually grapples with new metrics for evaluating success. The latest in Deadline’s Most Valuable Blockbuster tournament uncovers the intricate layers that extend far beyond initial box office earnings. The focus on downstream revenues is swiftly becoming a litmus test for understanding

The film industry is undergoing a seismic shift, away from traditional box office paradigms to a more complex web of revenue streams. As Deadline’s Most Valuable Blockbuster tournament illustrates, the financial life of a film extends far beyond its opening weekend figures. The global pandemic triggered a revolution in how movies generate revenue, and yet,

Ethan Coen, a heavyweight in the world of filmmaking, is back with his latest dark comedy, “Honey Don’t!” slated for an August 22 release. Coen’s unique ability to blend humor with unsettling themes sets the groundwork for a movie that challenges the boundaries of the genre. Much like his previous works, “Honey Don’t!” carries an

In today’s competitive cinematic landscape, a film’s box office performance can hinge on a multitude of factors; however, “Sinners” managed to defy early skepticism with a staggering $48 million opening weekend, a remarkable turnaround from a projected mid-$30 million. This flip illustrates not only the unpredictable nature of film profitability but also underscores the evolving

The weekend of Easter 2023 heralded a remarkable shift in the film landscape, especially as faith-based films took center stage among an array of diverse offerings. Angel Studios’ animated film, *The King Of Kings*, captured audiences’ imaginations, raking in an impressive $17.3 million in its second week. This not only underscores the growing appetite for

Warner Bros has made a bold move with its $90 million period vampire film, *Sinners*. The initial buzz surrounding the movie is electrifying, with $4.7 million raked in from Thursday night previews—an impressive number, albeit not enough to dethrone genre leaders like *Nope* and *Us*. This raises an interesting juxtaposition; while the previews are promising,

The recent appointment of Brooks LeBoeuf as the Senior Vice President of U.S. Content at Regal Cineworld Group might just prove to be a transformative shift for the company and the wider cinematic landscape. In an era where moviegoing faces serious competition from streaming platforms, LeBoeuf’s extensive experience could propel Regal into a dominant position

As we approach the end of Holy Week, Warner Bros’ ambitious project, *Sinners*, with a hefty budget exceeding $90 million, is poised to make a significant impact at the box office, particularly in the U.S. and Canada, where it’s projected to rake in over $40 million on its opening weekend. This film, directed by Ryan

The recent conclusion of the 58-day strike by Alamo Drafthouse employees in New York City is a striking testament to the power of solidarity among workers. The decision to return to work on April 18, following an agreement that reinstated 70 employees laid off earlier, reflects not only the effectiveness of organized labor but also