As the curtain rises on 2024, it is evident that this year will be etched in the annals of cinematic history as the year Disney reclaimed its throne at the box office. Following the disappointing performances of various films in 2023—such as Pixar’s “Elemental,” “The Marvels,” and “Wish”—many in the industry questioned whether Disney had
Entertainment
In the competitive landscape of holiday cinema, Dwayne Johnson and Chris Evans’ film “Red One” has emerged as a remarkable phenomenon. Released on Prime Video after a successful theatrical run, “Red One” has achieved unprecedented viewership figures, attracting over 50 million global viewers within just four days. This achievement not only sets a new benchmark
Fathom Events is poised to make a significant impact in the entertainment industry in 2024, projecting gross revenues exceeding $145 million—a remarkable 45% increase from the previous year’s $100 million. This growth signals not only a recovery from the pandemic-induced slowdown but also a successful strategic shift from traditional film distribution to a model that
As we enter the festive season, the film industry is experiencing a mixed bag of performances from various releases. On one side, the top studio titles are showing promising results, while other anticipated films are underwhelming audiences both domestically and internationally. In this context, it becomes crucial to analyze how these films are faring and
The landscape of cinema in 2026 is set to be invigorated by the highly anticipated adaptation of Emily Brontë’s classic novel, Wuthering Heights, produced by Warner Bros. Motion Pictures and MRC. This undertaking, helmed by Oscar-winning screenwriter Emerald Fennell, aims to breathe new life into the timeless tale of passion, revenge, and the complexities of
The cinematic landscape is often shaped by the fierce competition between film studios, particularly during high-stakes periods like the pre-Christmas season. As holiday shoppers turn to theaters for entertainment, two heavyweights emerged: Disney’s Moana 2 and Universal’s Wicked. With audiences seeking films that captivate both children and adults alike, box office analysts are closely monitoring
As CinemaCon approaches, running from March 31 to April 3 at The Colosseum of Caesars Palace, excitement is palpable throughout the film industry. Recent economic recovery following strikes and the pandemic has led to a phenomenon rarely seen in recent years: the full participation of major studios in this pivotal event. Unlike previous iterations where
Broadway continues to demonstrate both resilience and fluctuations in its box office performance as it transitions from the high-energy Thanksgiving period into a more stable December routine. The latest figures reveal a notable decline of approximately 9% week-over-week, with total gross revenue settling at $42,021,721. This decrease, while significant, comes after a holiday spike that
Warner Bros. has officially announced the release of the highly anticipated horror film, “Final Destination: Bloodlines,” slated for May 16, 2025. This new installment in the iconic franchise, known for its unique blend of suspense and supernatural terror, is the sole major studio release scheduled for that day. Directed by the emerging duo Zach Lipovsky
Disney’s much-anticipated sequel, Moana 2, has taken the global box office by storm, reaching an impressive $600 million worldwide after a robust opening weekend that shattered previous records. The film’s performance showcases its ability to resonate with audiences across different markets as it garnered an equal split of $300 million from both domestic and international